Memory theatre/ Map of my Studio Floor, The Second State
The first state executed 2023, the second in 2025 with some plates replaced or reworked entirely Mono-print, Dry point and Carborundum on Japanese paper, metals scored and compressed, marked with Carborundum dust. 1.8 x 2.5m.
LATTICE in a storm
Intaglio composite print consisting of 30 printed plates, violet ink, Carborundum dust and Chine Collé Kinder wrappers, marked by hand with washes of acrylic paint, on Japenese paper 2m. x 2.4m.
2026
Photo credit: Lulu Owen
FLIC EN FLAC - Free and Flat Land
hand mixed, coloured intaglio ink mono-print on Japenese paper, plates scored and configured into an arrangement, then compressed. 1.9 x 1.7m . 2025.
The transient, the fleeting, the contingent Composite intaglio print, intaglio ink, and Carborundum dust on Japanese paper. Aluminium bent panel, painted in acrylic. Plaster cast of a polystyrene packing container holding glass panes.
4m x 3m x 2m. 2025.
Light Flecks Through the Trees
Intaglio ink and Carborundum on paper. Put through the press 12 times.
57 X 75.5
Folded Map of Studio Floor with Dust (1)
Folded re - used Litho plate, Dry Point, Carborundum. Pressed twice. 76 x 56
Folded Map of Studio Floor with Dust (2)
Folded re - used Litho plate, Dry point, Carborundum, pressed twice. 76x26
Dust Catapult and Green Glass Pane.
Light and Dust Peeking Through
Company
My Secrets are not for you.
Traces of the Morning Mist
Dust and Pink Reflected Light
(all) 38 x 57
Dust Catapults
Framed set of three prints (Each 38 x 57) and cardboard painted Dust Catapults.
Plan of a Light City
Dry point Carborundum and Intaglio ink on Hokosawa Paper. 57 x 75.5
There are thoughts in suspension 2023
Dry point, Carborundum and Intaglio ink on paper. 56 x 76cm
Twisting Through, 2023
Carborundum and Intaglio ink on paper. 56 x 76 cm
The open window is full of a voice. 2024 Dry point, Carborundum and Intaglio ink on paper. 1 of 1
56 x 76cm.